amplified introduces new kids on the block: the shake up connection. heading from the same town as fellow label artists amplified orchestra: chicago! their debut single you got me is a super-gorgeous, melancholic affair which sees 4 tracks suitable for dancefloor play. the tunes on this ep mark the shake up connections fine blend of samples, electronica and acoustics and they get on their mojo for sure: pitched-down guises and ready to rock. the immaculate production and frighteningly powerful build-up should prove it all. do not miss!

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

david keno is going for the trifecta with feast, his 3rd kindisch release of the year. following on from his excellent label debut discoteca, and his storming tout le temps collaboration with jaxson, keno is back with the 3-track smorgasbord that is feast. starting off his career with a number of releases for on corrado izos 1220 label, david keno has since cut his teeth with morris audio citysport edition and frankie rec, and has honed his sound into a fresh combination of masterfully constructed beats, perfectly pitched percussive elements and infectious melodies… all the right elements for dancefloor devestation! feast shows david keno taking a leaf out of the book of us westcoast house pioneers, and giving the sound a new perspective. >bonito< opens with a hint of cheeky latin swing and demi-percussion, before breaking into a tough jacking beat and boompty house bassline. a lone, melancholy string sample in the second half define the track by injecting a touch of unexpected quirkiness into the mix. keeping the momentum going is >808<, a slightly deeper affair based on a throbbing, undulating bassline and conga-led percussion

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

kai alcé returns to real soon with a new 3-track ep - his third release on the label following corner manuvers (2006) and broken headlights (2007). polyester static features two tracks at either end of kais stylistic spectrum plus a driving remix by house music legend chez damier. the title track is a classic mix of jacking synth bassline, rhodes piano chords, pitched up cowbells and scat vocals. at the other end of the spectrum, born a day after is another great example of kais deep, drowsy, beautifully constructed minimalism. on the flip, chez damier remixes polyester static, heading straight for the dancefloor with a rolling bassline, stabbing chords and submerged vocal - irresistible pure house music in the best tradition! kai alcé is an atlanta-based dj and producer with roots in detroit and new york. he has previous releases on track mode, late night essentials, real soon & moodymanns mahogani music and in 2008 launched his own label ndatl muzik

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

we are honoured to announce john roberts blame the next step in our current excursion into the world of djs, clubs, flashlights, boy meets boy and boy meets girl meets girl... john roberts is already a resident in our little universe but this time we decided to mix him up with the masters of deep desasters because his new record is so heavily haunted by the spirits and ghosts of those who started it all we could not resist. these to die for chords of blame shake up minds and hands as they just would be related and who is to blame if you feel the shiver of a down pitched wurlitzer organ hand played by john in new york and also back in berlin. watch out for john roberts upcoming album on dial hopefully ready this fall!

blasta s saga comes to an end with part 3 of his incredible adventures of kenzolika and quetzalcoatl among the air castles series. the product of an over-active imagination, this series has fused dubstep and post-garage riddims with traces of jazzy easy listening and psyched exotica. the most successful effort here has to be the garage rollidge of black muscatel offset by smooth and dreamy-clean synth keys, while zeppelin nacelle sails off with gently propulsive garage bass and trip42 brings the story to an end with down pitched dubstep beats subsiding into sunset 303s.

eklo 011, his first single on the label, after his famous >close to me< from the hooksey series, boris horel bring us here his idea of modern house music, a real trip in his mind with his wellknown skills, fat groovy beats, weirdy voices and some chemical hooks that bring his art to a high level of creativity and originality. a1, >how do i look like< is an attempt to mix my love for both old school and new school house music. looking for this kind of >95 tunnel< sound and feeling , but with a modern twist on the form and a more summerish vibe. the pitched vocals helps to push the track towards a weird sliding sensation ,adding a catch to the almost liquid bassline. a2, seuil remix, is something more darky and stripped down, full of analog grooves, sub and crunchy basses, he turns the track in something more deep and afterhour feeling… b, paranoia pantomime , the long side, great old school feeling >a la carter<, rolling shinning hats, fat grumbling basses lead the track...add to this some weird effects and some sexy catchy voices, here is the horels reciepe to bring u back some old feelings from your ravy times. essential debut ep for this new eklo artist. essential 12inch

tuccillo joins delusions of grandeur for their forth release turning in two tracks of funk injected house that will work wonders on the dancefloor. hot from his releases with willie graff on freerange, circus company, drumpoet and liebe*detail, the ibizan producer delivers once again with a release that will put him firmly on the hype list for 2009. panorama is one of those tracks that will be played by djs right across the board and creates a killer vibe whether its at its original tempo of 118 or pitched right up for peak time action. the rolling beats, looped up guitar hit and siren synths create a mighty track that treads a familiar path but does so in such style that we challenge you not to get bitten by the bug. taken things in an altogether deeper, darker and more twisted direction with have switzerlands finest kalabrese taking care of the remix. his very capable hands and ears, not to mention vocal skills, have resulted in a warped, acidified excursion full of bottom end pressure and brilliant percussion. a real trip this one. finally, on the flip, we have tuccillos this time, taking things back into house territory with a funk filled workout that utilizes a pitched down vocal and horn stabs to great effect. that doesnt sound great on paper we know, but give it a listen cos it works a treat.

directions is a soon-to-be-techno-anthem. built around an instantly memorable vocal hook this is a genuine big room tune for the summer. pitched to a chugging groove and mounted on a low, throbbing bassline, no time is wasted in introducing the looped vocal hook that builds and drops towards a sprawling, crowd-pleaser of a breakdown.
backing up the package is the equally impressive tipping point. the 3am front left speaker mix is a shimmering, bass-heavy fusion of old school techno riffs and soaring strings.

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

neville was resident dj at the legendary checkpoint charlie for many years, is one of the midnight steppers and has recently released some amazing house music with new producer kink to great acclaim. this is him all on his own. its a slab of bad-boy chicago house. a 707 drum machine, a bouncing bassline, pitched down vocals and a serious case of the jack. what more do you need? move quickly cos this one will fly out sharpish and be smashing dancefloors to bits all summer.

the next animasola is done by the owner viperxxl who battled with sepromatiq for an outstanding ep. the a side comes with an hardtechno tool with pounding basslines and some synth work in the breaks. viperxxl did the original and sepromatiq remixed it to perfection. the b side comes with an epic track done by sepromatiq. you will find everything for the dancefloor to burn, banging beats mixed with a violin melody. viperxxl remixed the track with a long break pitched to 120bpm - when it goes back up you can be sure everyone is dancing

henry l is the new moniker of cologne based producer/dj thats already known to the drum & bass world as henree (with releases on established labels like soul:r, cia deepkut and soundtrax just to name a few). even though hes still busy in that genre (unless others) it was about time to contribute something to a genre he always felt and took inspiration from. the other day at the basement reminds on an early mood ii swing vibe, pitched down to the right tempo. marcus worgull stripped down >the other day at the basement< a little, focussed on dubby stabs and added some wonderful harmonies to this hypnotic tune. when the soulful piano comes in, theres no question that this marcus worgull dub is one of his best remixworks to date. >wake up< is a sexy 109 bpm monster and as funky as house should be. if you need one word to describe this dope jewel it might be bouncing!<. just awesome dope shit, soulful, slow and moving

nrk - sampler 3 kicks of with the track most people associate with dj sneak, >you cant hide from your bud<, one of the records that broke the whole filtered disco thang. blue boys >sandman<. taking a riff and pitched up vocal from the undisputed truth, many will perhaps have forgotten this gem, but is ripe for revival now! side two offers up the fantastic >shake it for me< from uk producer dj d brining up the rear, studio 45s >i like the sound< was a hit on azuli in 1999. pure mirrorball dancefloor stuff. sneak essentials

axel karakasis once more unleashes his talents and demonstrates his skills in the piranha e.p. in the first track on the main side, the techno wizkid mightily combines a set of systemshaking loops and detroitfunklike piano keys that escalate into a crazy pitching, distortion not to be messed with! add to these some powerful percussion and ominus snares, together with karakasis trademark filter spins and twists and its an epic track that stands out on its own. bloody chamber alternates between nocturnal basslines, vicious subbass and high-pitched synths that are spinetingling. here, axel flirts with electro but you can always rely on him to bring in some serious groove: the result is solid, coherent and the track is something more than special!! the remain side proves equally mindblowing and. flesh eating! piranha is a stunner, adorned with aggressive drums, booming beats and odd sounds throughout the track. once again, it is axels energetic style that comes through, making this track a powerful club tool

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

mysterious and most of all vinyl only whitelabels seem to be the call of the day. if they are as good as this one here i have no doubt - this trend will stay our fried. open produced bassy and sweat boxing, slamming chicago - detroit- chicago style house with great piano chord and slight pitched atmosphere. somehow between early chez n ron and roy davis , dj pierre, kerri, mood2 swing, nu groove, kot. now ive almost named them all. oops… . sinister but oh so sexy!

after succesfull ep enjoy the moment the first female dj from czech republic comes out with new material, track called >u can<, is minimal ,groovy tune with deep silky bass notes and intelligent arangement ,down-pitched use of vocals and perfectly used effects. the quality of this minimal masterpiece is evident from the beginning

next shot from the labelboss known from releases on cocoon, traum and my best friend ! a mediterranean cosy sommer tune with dreamy pads and duby chords, a leading hypnotic guitar theme. on the flip >chiwawa<, this is a marching tool machine, with a straight rolling subbass, shaking and clapping that thing, pitched down vocal fills are jamming to some jazzy swinging drums and going on like this

the last remix single from the >raw< album features some really nice and tasty mixes of boogie down that vary from deep and dark minimal techno to exstatic tech-house. first up are chopstick & johnjon who both are up and coming artist that most of you might know from their label criminal records and the collaborations of chopstick as eyerer and chopstick on great stuff recordings. their mix of boogie down is a real trancey one with a great bassline added to the original feel of the track. second man in line is substatics falko brocksieper who delivers a very powerful minimal techno joint with great effects and pitched down vocals, this is a true dark roller ! also our friends from montreal canada >les bouchers< better known as dj shine and poontz made a cool electro house cut and complete this fine release in style

nice price deal !!! pitched by our own roger sanchez at pacha ibiza. when this records played out: people go bezerk ! italian hero stefano noferini is making his debut on stealth records and so is alex gomez who are on remix duties

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

supported by richie hawtin, tiefschwarz, loco dice, miss kittin , jussi pekka & many others!! again providing you with two new high quality techno tunes. on the a side we present you the tune: >tuna belly< , which is taken from the forthcoming full lenght, >martinez< album on re:connected, due for release later this year. the track starts off with a pounding deep kick-drum and a heavey roland sh-101 baseline. quickly after some heavey snares, claps and some underwaterish bubble sounds enter onto the groove and the track is steady rolling towards its peak break down. the baseline is filtered and tweaked through layers of efx into just a high pitched noise that is just on the edge of getting too much and right at that time it sweeps back into the full groove with a slaming hihat to lift the track even more. >tuna belly< is one of those track that definitely will make you go crazy on the dance floor in the late hours

this is the first ep on flash recordings that doesnt feature label owners florian meindl and oliver koletzki. but they have made sure to look for a quality replacement. no one else than cologne-based artist daso - renowned for his previous releases on labels like mbf, session deluxe, ghostly and connaisseur - teams up with his buddy pawas to create their first release >night express< on flash. pawas has just had his first record out on adam krolls and markus müllers imprint squonk records and has been a dj for 9 years, moving from india to cologne one year ago. on the a-side daso & pawas foreshadow the summer with the track >tgv<: a beautifully deep melody that swings along a powerful loop. >ice< - the name of germanys high-speed train is clearly more electro-driven. a slightly broken beat with a thumping organic bassline pumps above an ever-changing soundscape that culminates in some euphoric high-pitched synths. never too much, this is a perfect example for elegant understatement. also on the flip side is the track >bummelzug<, which translates as >very slow train< in german. this is a dub-techno masterpiece. deep dubs and arpeggios flow over the simple beats with a great clappy snare drum. dreamy, hypnotic, melodic! flash recordings has just become fit for the summer

next sure-shot from the berlin boys plasmik – the success that these two brothers have already had with their first release >eight to nine< and their remix for ripperton is impressing. licensings for steve bugs fuse sampler, loco dices time warp mix and jamie jones get lost mix are just a selection of their current achievements. furthermore, they will release an exclusive track on crosstown rebels. the crowd and the djs love their style. inspired by us-techno cuts from the middle of the 90ies, they transfer and interpretation of this sound into today. with their newest release, they raised their understanding of dance music to a new level. pitch it is a dubby house track with pitched piano elements and a catchy hookline. this outstanding tune, which is already in heavy rotation, was licensed for claude vonstroke s mixmag mix.

and again florian presents his way of doing things. >my way< is carried by a strong, mysteriously melodic sample filled with tons of reverb, the track really explodes when his strong and fidgety loops meet a high-pitched whistle sound. listen for yourself: this is a thumping minimal electro monster! on the flip >live your dream< is a lot dreamier, hence the name, a softly rolling sample says hello to an effect-laden subbass that is sure to make the dancefloor vibrate

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

the third single taken from romboy s super successful debut album sees remixes of his collaboration with n.y.c. dancemusic posterboy tommie sunshine who composed i.e. felix housecat and miss kittin s incredible track >silver screen<. cologne s electro maestro and phunkwerk labelowner dj delicious made a driving electric peaktime monster which fills any dancefloor in the world. watch out for his own single release >ja ja<! prolific edit and remix master radioslave aka rekid whose recent mix for chelonis r. jones >deer in the headlights< made all the dance music freaks go banana, delivers a super chunky >schaffel< monster tune with down-pitched vocals and heavy ass bass tnt! last but not least, tommie sunshine adds in some dark and noisy flavours to the original. once again, state of the art remix pack to the fullest!

a cracking bit of good time disco from uniteds 3345 imprint the original mix is based around a pitched up male vocal while the well produced synth riff rides a great bassline with heavy filtered beats nice stabs and swirls that builds just right in the dubmix is a thumping and pumping affair with his old skool stabs classy keys alongside a late 80s piano riff get 2gether is a totally infectious feel good unit hammered by judge jules

another sureplayer (record of the week in recent dj magazine). the boogie drama mix is thrillingly intense with a bumpty dark and open produced electro vocoder sound aestetic you can just not get enough of. dazzling, irritating,forward thinking cool future clubmusic. there was a time when such good music was coming from america, people named danny tenaglia or pierre for example where able to do it.now listen to what they are and do these days and how 20 somethings from milano italy are taking over where they stopped in 95. stunning. sasse s mix again doe not dispappoint at all again. hes fast becoming one of europe s hottest house produers, someone who has the ability to effortlessly craft authentic italo and sleazy wild pitched acid house. top!

the third release from nachtfrequent brings us four new fresh tracks from leo cubanero. two of them – play and english mafia – were layed down in co-operation with patrick di stefano(generalelektrik). the first tune is a very clubby track sporting some eccentric dodgy sounds. minimal oppressive but easily triggerin your dancing feet at the same time. the following play plays slower but has however a very funky touch with mad pitched vocals and the jostling basslines. rigth here and anywhere else this track is a burner. funky fat sounds and vocals which seem to come out directly of the lunatic asylum. and finally english mafia which weaves in the garb of minimal house a very nice carpet with memorable elektroid sounds. fine pads - not one gram too much

great mischa daniels house tunes feat aisata vocals..all in one!

flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

afterhours, one of the most iconic series on the global underground label returns with a brand new journey. this is the soundtrack to your post clubbing adventures, the music for the party after the party. over 30 tracks and 2 continuous dj mixes of eclectic electronica, dirty basslines, pitched back techno and blissed out 90bpm moments, all cut up, spliced and layered to create a sonic landscape to get lost in! with music from whomadewho, tuff city kids, matthew dear, howling, trentem¿ller and more.